Department of English, NCCU

Journal Publications

• 許立欣*, 2026.10, 'Coastal Commons and the Transpacific Uncanny in the Littoral Writings of Syaman Rapongan, ' ariel: A Review of International English Literature., Vol.N/A, No.N/A, pp.N/A.(AHCI, UGC CARE)(*為通訊作者)(本論著未刊登但已被接受)
• 許立欣*, 2025.12, '“Nature is a Haunted House -”: Emily Dickinson’s Environmental Gothicism, ' ESQ: A Journal of Nineteenth-Century American Literature and Culture, Vol.71, No.4, pp.401-441.(AHCI, MLA, SCOPUS)(*為通訊作者)
• 許立欣*, 2024.12, 'The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene / La niña gusano de seda, el ecogótico sericícola y el Antropoceno, ' New Polygraphs (Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada), Vol.N/A, No.10, pp.12-31.(*為通訊作者)
• 許立欣*, 2024.03, '“Because the bees buzz underground, /we have earthquakes”: Chen Li’s The Edge of the Island at the Brink of the Anthropocene Ruin, ' Concentric: Literary and Cultural Studies, Vol.50, No.1, pp.41-67.(AHCI, MLA, THCI Core, SCOPUS)(*為通訊作者)
• 許立欣*, 2023.09, 'Settler Colonialism and Harte’s Frontier EcoGothic in “Three Vagabonds of Trinidad”, ' Studies in American Fiction, Vol.50, No.1-2, pp.97-120.(AHCI, MLA, SCOPUS)(*為通訊作者)
• 許立欣*, 2023.09, '蠶女故事中的生態鬼魅與絲路文化之人類世寓言(The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene), ' 中外文學(Chung Wai Literary Quarterly), Vol.52, No.3, pp.47-80.(MLA, THCI Core)(*為通訊作者)
• 許立欣*, 2022.06, 'Mechanical Precision and the Cosmic Sublime in Thomas De Quincey’s Writing, ' Ex-position, Vol.47, pp.7-33.(MLA, THCI Core, ProQuest)(*為通訊作者)
• 許立欣*, 2022.03, 'My “Byron’s foot”: Chou Meng-tieh’s Buddhist-Romantic Quest in Country of Solitude, ' Concentric: Literary and Cultural Studies, Vol.48, No.1, pp.115-142.(AHCI, MLA, THCI Core, SCOPUS)(*為通訊作者)
• 許立欣*, 2021.11, '“’To make a prairie it takes a clover and one bee,’: Dickinson’s Manufacturing of the Wild West”, ' The Emily Dickinson Journal, Vol.30, No.2, pp.97-115.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
• 許立欣*, 2020.10, 'Keats, Higginson, and Snakes: Yang Mu’s Transcultural "Courtship" of Emily Dickinson, ' Fudan Journal of the Humanities and Social Sciences, Vol.13, No.4, pp.591 - 614.(SCOPUS, Springer / CNKI / EBSCOhost)(*為通訊作者)
• 許立欣*, 2019.04, 'The Romance of Transportation in Wordsworth, Emerson, De Quincey, and Dickinson, ' Romanticism, Vol.25, No.1, pp.45-57.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
• 許立欣*, 2016.11, '"The light that never was on sea or land": William Wordsworth in America and Emily Dickinson's "Frostier" Style", ' The Emily Dickinson Journal, Vol.25, No.2, pp.24-47.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
• 許立欣*, 2015.12, '“As Trade Had Suddenly Encroached”: Emily Dickinson, William Wordsworth and China, ' Cowrie:A Journal of Comparative Literature and Culture, Vol.1, No.1, pp.22-41.(CNKI)(*為通訊作者)
• 許立欣*, 2014.04, 'Thomas De Quincey''s ''Serpentine'' Writing and Emily Dickinson''s Reptiles, ' Symbiosis: A Journal of Anglo-American Literary Relations, Vol.17, No.2, pp.Unknown.(MLA)(*為通訊作者)
• 許立欣*, 2013.11, 'Emily Dickinson''s Asian Consumption, ' The Emily Dickinson Journal, Vol.22, No.2, pp.Unknown.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
• 許立欣*, 2013.10, '"''In many and reportless places'': Place Identity and Emily Dickinson''s America", ' Harts & Minds, Vol.1, No.2, pp.N/A.(*為通訊作者)
• 許立欣*, 2012.04, 'Emily Dickinson''s Sacred/Sacrilegious Tourism, ' Forum. Postgraduate Journal of Culture & Art, Edinburgh University, Vol.14, No.1, pp.N/A.(*為通訊作者)

Presentation/Proceedings

• 許立欣*, 2026.01, '“None but the Nut – October fit –": Dickinson’s Ecological Queering of Kinship., ' MLA convention (Modern Language Association), Modern Language Association (MLA).(*為通訊作者)
• 許立欣*, 2025.12, 'Sericultural Imagination and Queer Kinship in Chinese Mythologies: Yuan Ke’s Silk Garden and Mulan’s Camel, ' Critical Canons International Symposium: Rethinking Aesthetics in a More-Than-Human World, NCCU English + Philosophy.(*為通訊作者)
• 許立欣*, 2025.11, 'Between the Decorative and the Deviant: Chinoiserie Liminality in Pictures of Old Chinatown (1909) by Arnold Genthe and Will Irwin, ' Words in the World’s Knowledge Systems: Interpretation, Mediation, and Translation, the 11th International Conference on Translation and Cross-Cultural Studies.(*為通訊作者)
• 許立欣*, 2025.11, 'Romantic Extraction: Silk Imagination and Multi-species Haunting, ' Living / Building—A joint RSAA & David Nichol Smith Conference, Romantic Studies Association of Australasia (RSAA).(*為通訊作者)
• 許立欣*, 2025.11, '“‘San Francisco’s Chinatown in Bret Harte’s Wan Lee, the Pagan, Helen Hunt Jackson’s The Chinese Empire and Robert Louis Stevenson’s The New and Old Pacific Capitals’”, ' Pacific Gateways: International Symposium on English Literature and the Pacific Ocean, 1760-1914, Pacific Gateways: International Symposium on English Literature and the Pacific Ocean, 1760-1914.(*為通訊作者)
• 許立欣*, 2025.10, 'Romantic Reverie as Ecological Imagination, ' Inner and Outer Care: Planetary and Meditative Pathways, Department of Comparative Literature.(*為通訊作者)
• 許立欣*, 2025.10, '“'What are trardition?': Emily Dickinson and Helen Hunt Jackson in Chinatown”, ' Fourth Conference of the Society for the Study of American Women Writers, Fourth Conference of the Society for the Study of American Women Writers.(*為通訊作者)
• 許立欣*, 2025.09, 'Coastal Commons and the Pacific Uncanny in the Littoral Writings of Chen Li and Syaman Rapongan, ' Taiwan’s Responses to Global Megatrends, Taiwan as a Pioneer (TAP), Trier University.(*為通訊作者)
• 許立欣*, 2025.08, 'Wetland Aesthetics and Chi Po Lin’s Aerial Gaze: the Ecological Other and the Anthropocene Futurity in In focus, Chi Po Lin and Taiwan’s Four-Dimensional Spacetime, ' 2025 Critical Island Studies Conference, An Archipelagic Turn and the “Other Asias”: Literature, Politics, Culture, Critical Island Studies Consortium.(*為通訊作者)
• 許立欣*, 2025.07, 'Ariel Views, Island Aesthetics, and Archipelagic Futurity, ' Aesthetics and the (Pluri-)Political, Asian Theory Network.(*為通訊作者)
• 許立欣*, 2025.06, 'On the Edge of Nostalgia: Island Feelings and Cold War Narrative in ‘Nostalgia’ (1972) by Yu Guangzhong and ‘The Love Song of Buffet the Clown’ (1978) by Chen Li, ' Island as Method: 2025 Critical Island Studies Symposium, Critica Island Studies Consortium.(*為通訊作者)
• 許立欣*, 2025.06, 'Chrysalis of Blonde – or Umber –”: Dickinson’s Asiatic Leopard and the Silk Utopia, ' Dickinson and Ecologies, the EDIS*Wenshan International Conference, NCCU English + EDIS.(*為通訊作者)
• 許立欣*, 2025.03, 'Sericultural Mobility and Multi-species Imageries in the 19th Century Atlantic World, ' Human Values and Social Transformation in the Age of AI, NCCU + Trier University.(*為通訊作者)
• 許立欣*, 2024.12, 'Garden Futurity Roundtable Colloquium, ' 2024 Garden Futurity Roundtable Colloquium, The Department of Science and Environmental Studies.(*為通訊作者)
• 許立欣*, 2024.11, 'Wetland Aesthetics and the Anthropocene Crisis/Futurity in In focus, Chi Po Lin and Taiwan’s Four-Dimensional Spacetime (2019), ' the Society of Wetland Scientists (SWS) 2024 Annual Meeting, NTNU.(*為通訊作者)
• 許立欣*, 2024.10, '‘Sweet on You’: Gothic Romance and Cold War Narratives in S. Leo Chiang’s ‘Island in Between', ' The Political Lives of Islands,, Critical Island Studies Consortium.(*為通訊作者)
• 許立欣*, 2024.09, '‘Until the Moss had reached our lips –’: Dickinson’s Ecological Queering of the Transatlantic Literary Kinship, ' North American Victorian Studies Association: Seoul Hub (NAVSA). Yonsei University, North American Victorian Studies Association.(*為通訊作者)
• 許立欣*, 2024.08, '‘Until the Moss had reached our lips –’: Dickinson’s Transatlantic Queering of the Gothic, ' Gothic TransIteration, Iterations, International Gothic Association, International Gothic Association.(*為通訊作者)
• 許立欣*, 2024.07, 'Sericultural Imagination in Mid-nineteenth-century America, Utopia, and the Anthropocene, ' The Nineteenth Century Today: Interdisciplinary, International, Intertemporal Conference, The International Nineteenth-Century Studies Association, Durham University,.(*為通訊作者)
• 許立欣*, 2024.06, 'Coastal Commons and the Transpacific Uncanny in the Littoral Writings of Syaman Rapongan, ' The 19th Islands of The World Conference 2024, University of Mataram, Lombok, Indonesia, The 19th Islands of The World Conference 2024, University of Mataram, Lombok, Indonesia.(*為通訊作者)
• 許立欣*, 2024.04, '‘Sweet on You’: Gothic Romance and Cold War Narratives in S. Leo Chiang’s ‘Island in Between’, ' “Waves of Emotions”: Theorizing Archipelagic Affects, Critical Island Studies 2024 Colloquium.(*為通訊作者)
• 許立欣*, 2023.12, 'The Banality of Romantic Renewal? Kubla Khan, Coleridge, and Chen Li’s ‘Formosa, 1661’, ' Romantic Renewal, Romantic Studies Association of Australasia Conference,.(*為通訊作者)
• 許立欣*, 2023.11, '‘Color – Caste – Denomination –’: War, Humanity, and Racial Intimacies in Nineteenth-Century Transatlantic/Transpacific Romanticism, ' “Inventing the Human” hybrid conference, The Human and Posthuman Conference Organising Committee, the University of Melbourne.(*為通訊作者)
• 許立欣*, 2023.10, '「我的頭顱像蘑菇」：陳克華的腐朽植物詩學與生態志異 / ‘My Head like a Mushroom Below’: Chen Kehua’s Vegetal Poetics of Decay and the EcoGothic, ' 第十一屆海峽兩岸生態文學研討會, ASLE-Taiwan.(*為通訊作者)
• 許立欣*, 2023.10, 'Thomas De Quincey’s Palimpsest and the Technologized Human Brain, ' Imaging Across Time, the 2023 Wenshan International Conference,.(*為通訊作者)
• 許立欣*, 2023.09, '“‘I heard a Fly buzz - when I died –’: Ghostly Liminality, the Ecological Contact Zone, and the ‘Post-‘ness in Hsia Yu and Emily Dickinson, ' Progression, Regression, and Transgression in Gothic World Literature & Film: New Approaches to the Ethics of Difference, Gothic-Without-Borders online Conference.(*為通訊作者)
• 許立欣*, 2023.08, 'The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene, ' Colby Summer Institute in Environmental Humanities., Colby Summer Institute in Environmental Humanities.(*為通訊作者)
• 許立欣*, 2023.07, 'Coastal Commons and the Pacific Uncanny in the Littoral Writings of Chen Li and Syaman Rapongan, ' Reclaiming the Commons, ASLE + AESS 2023 Conference.(*為通訊作者)
• 許立欣*, 2023.03, 'Gothic Hospitality and Blood Gold: Gift-Giving and Criminal Circulation in The Bold, the Corrupt, and the Beautiful (2017), ' Crime and the Gothic, International Crime Fiction Association [ICFA] and Gothic in Asia Association.(*為通訊作者)
• 許立欣*, 2022.10, '‘The Soul selects her own Society -’: Dickinson’s Small Utopia and Daoist Aesthetics, ' The Era of In/hospitality, English and American Literature Association (EALA), the 30th Annual Conference.(*為通訊作者)
• 許立欣*, 2022.10, 'Olfactory Remembrance: Malodor, Childhood Memory, and EcoGothic in A. S. Byatt’s ‘The Thing in the Forest’ and Hayao Miyazaki’s Spirited Away, ' Memory: The Captive and the Fugitive, Taipei Tech English’s 2022 International Literature Conference.(*為通訊作者)
• 許立欣*, 2022.10, 'The Goddess of Silkworms, Mulberry Trees, and the EcoGothic, ' Asian Folklore, Folk Horror and the Gothic, Gothic in Asia Association.(*為通訊作者)
• 許立欣*, 2022.08, 'Asian Journals Network Conference, ' Asian Journals Network Conference (online), Asian Journals Network.(*為通訊作者)
• 許立欣*, 2022.08, 'Wordsworth’s Star Gazers and De Quincey’s Cosmic Sublime, ' The Wordsworth Summer Conference, The Wordsworth Summer Conference,.(*為通訊作者)
• 許立欣*, 2022.07, 'Olfactory Interruptions: Malodor, Atmospheric Invasion, and EcoGothic in A. S. Byatt’s ‘The Thing in the Forest’ (2003) and Hayao Miyazaki’s ‘Spirited Away’, ' Gothic Interruption, International Gothic Association.(*為通訊作者)
• 許立欣*, 2022.07, '‘But nature is a stranger yet’: Dickinson’s Ecogothic and Morton’s Ecognosis, ' Dickinson and Foreignhood, The Emily Dickinson International Society, 12-14 July 2022,, The Emily Dickinson International Society.(*為通訊作者)
• 許立欣*, 2022.03, 'Reading Chen Li’s “The Edge of the Island” in an Age of the Anthropocene, ' Asia and the Anthropocene: Visions of Being Human in a More-than-Human World, Asian Studies Development Program 29TH NATIONAL CONFERENCE.(*為通訊作者)
• 許立欣*, 2021.07, '“Ecogothic Dickinson”, ' Greenness, American Literature Association.(*為通訊作者)
• 許立欣*, 2021.06, '“Ecogothic in Chen Li, Hsia Yu, and Chen Kehua”, ' Summer School of the Environmental Humanities in Asia Workshop., National Chung Hsin University.(*為通訊作者)
• 許立欣*, 2021.06, '“‘This whole Experiment of Green -’: Ecogothic in Emily Dickinson and Kehua Chen”, ' Reimagining Green, Comparative Literature Association of the Republic of China.(*為通訊作者)
• 許立欣*, 2021.03, '““Infection in the sentence breeds”: Ecogothic in Emily Dickinson and Chen Kehua”, ' Gothic in a Time of Contagion, Populism and Racial Injustice, The International Gothic Association.(*為通訊作者)
• 許立欣*, 2021.03, '“‘Because the bees buzz underground, / we have earthquakes’: Chen Li’s Climatic Poetics of Restoration”, ' ISLE-EA Online Symposium, ISLE-EA.(*為通訊作者)
• 許立欣*, 2019.11, '“Transcultural Modernism in Yang Mu’s ‘Rays of the Searching Sun’ and Emily Dickinson’s ‘There’s a certain Slant of light’”, ' The 8th International Conference of Chinese / American Poetry and Poetics (CAAP), The 8th International Conference of Chinese / American Poetry and Poetics (CAAP).(*為通訊作者)
• 許立欣*, 2019.08, '“To make a prairie it takes a clover and one bee,”: Dickinson and the Manufacturing of Wilderness”, ' Dickinson and the Sea, Emily Dickinson International Society.(*為通訊作者)
• 許立欣*, 2019.06, '“‘To Pastures of Oblivion’: Dickinson and the Wild West”, ' Humanities & Social Sciences Association2019 HSSA Symposium, Humanities & Social Sciences Association.(*為通訊作者)
• 許立欣*, 2019.03, '“Transcultural Modernism in Yang Mu’s ‘rays of the searching sun’ and Emily Dickinson’s ‘There’s a certain Slant of light’.”, ' ACLA Annual Meeting, American Comparative Literature Association.(*為通訊作者)
• 許立欣*, 2018.11, '“The ‘Phantasmatic’ Chinatown in Helen Hunt Jackson’s ‘The Chinese Empire’ and Mark Twain’s Roughing It”, ' “Writing Concept” Symposium, Humanities & Social Sciences Association.(*為通訊作者)
• 許立欣*, 2018.07, '“‘My Byron’s foot’: The Romantic Quest and the Quest for Romanticism in Chou Meng-tieh’s Lonely County (1959), ' omantic Regenerations: An International Conference, The University of Tokyo (Komaba Campus) & Sophia University (Yotsuya Campus).(*為通訊作者)
• 許立欣*, 2017.09, '““Nature doth embrace / Her lawful offspring in Man’s art”: Anglo-American Technological Sublime in Wordsworth, De Quincey, Thoreau and Dickinson”, ' Machines/Ravines: Negotiating the [Technological] Sublime, University of Lodz, Department of American Literature.(*為通訊作者)
• 許立欣*, 2017.02, '“Go slow, my soul, to feed thyself‖: Speed and Emotion in Anglo-American Romanticism”, ' Transporting Romanticism: RSAA Biennial Conference, Romantic Stuides Association of Australasia.(*為通訊作者)
• 許立欣*, 2016.11, '“‘I died for Beauty”: Cold Pastorals in John Keats, Emily Dickinson and Chen Kehua’”, ' Romantic Legacies: the 13th Wenshan International Conference,, NCCU English.(*為通訊作者)
• 許立欣*, 2016.03, '“’I like to see it lap the Miles -’: The Train, Space and Motion in Wordsworth, Hawthorne, Thoreau and Dickinson”, ' 2016 Interdisciplinary Conference on Space in Motion: Lifeworld and the Humanities, College of Foreign Languages and Literature.(*為通訊作者)
• 許立欣*, 2015.09, '“‘A deep distress hath humanised my soul’: the Wordsworth-De Quincey Dispute in America”, ' The 10th Biennial Symbiosis Conference: Transatlantic Literary and Cultural Relations, University of Essex.(*為通訊作者)
• 許立欣*, 2015.09, '“’Dickinson’s Asiatic leopard and Wordsworth’s “Negro Woman”, ' Romantic Orients, University of Durham.(*為通訊作者)
• 許立欣*, 2015.08, '“The Telescopic Anatomy of the Brain in Emily Dickinson and Thomas De Quincey”, ' Dickinson in Her Elements, Emily Dickinson International Society.(*為通訊作者)
• 許立欣*, 2014.11, '“The Transitive toward –”: My Joy and Sorrow of Translating Dickinson” and “Dickinson’s Asiatic Leopard and Wordsworth’s “Negro Woman”, ' Emily Dickinson Dwells in China―Possibilities of Translation and Transcultural Perspectives, The Emily Dickinson International Society and Fudan University.(*為通訊作者)
• 許立欣*, 2014.08, '“Transatlantic Landscapes in Emily Dickinson, Wordsworth and Thomas De Quincey”, ' IASH Seminar, IASH.(*為通訊作者)
• 許立欣*, 2014.07, '“Celebrity Encounters: Transatlantic Fame in Nineteenth-Century Britain and America”, ' CELEBRITY ENCOUNTERS: TRANSATLANTIC FAME IN NINETEENTH-CENTURY BRITAIN AND AMERICA CONFERENCE, The University of Portsmouth.(*為通訊作者)
• 許立欣*, 2013.07, '“'Editing' China: Curatorial Practices and the Authenticity in Contemporary Chinese Art”, ' Revision – Editing Across Disciplines, Forum.(*為通訊作者)
• 許立欣*, 2013.06, '“‘Homesick curiosity’: Emily Dickinson’s Transatlantic ‘Consumption’ of William Wordsworth”, ' The 9th Biennial Symbiosis Conference: Transatlantic Literary & Cultural Relations, Symbiosis Conference: Transatlantic Literary & Cultural Relations.(*為通訊作者)
• 許立欣*, 2013.03, '“San Francisco's Chinatown in Brate Harte’s “Wan Lee, the Pagan” and Robert Louis Stevenson's "The New and Old Pacific Capitals"”, ' Fourteenth Annual Conference of the Scottish Association for the Study of America, the Scottish Association for the Study of America.(*為通訊作者)
• 許立欣*, 2010.08, '“The Arctic, the Asiatic and the Narcotic: The Apocalyptic Visions in Emily Dickinson and Thomas De Quincey”, ' “'were I Britain born': Dickinson’s Transatlantic Connections”, The Emily Dickinson International Society.(*為通訊作者)
• 許立欣*, 2009.07, '“Asia, Animals and Apocalypse: The Narcotic Imagery in Emily Dickinson and Thomas De Quincey, ' “Moving Forward”, The Sixth Annual CASS Postgraduate Conference,.(*為通訊作者)
• 許立欣*, 2009.05, '“Emily Dickinson's Revision of Asian Imagery in Peter Parley and Thomas de Quincey”, ' American Literature Association, American Literature Association.(*為通訊作者)
• 許立欣*, 2008.07, '“Going Further: Emily Dickinson, China, and Migration”, ' “Activism, Apocalypse and the Avant-Garde”: Biennial ASLE-UK conference, ASLE-UK.(*為通訊作者)

Book

• 許立欣*, 2025.12, 'Asian Popular Culture and the Gothic, ' Routledge.(*為通訊作者)

Book Chapters

• 許立欣*, 2026.10, 'Taiwan Folklore and Transmedial Haunting: Liām-kua and the Gothic Story-teller in The Bold, the Corrupt, and the Beautiful, ' Asian Popular Culture and the Gothic, Routledge, pp.N/A.(*為通訊作者)
• 許立欣*, 2026.10, 'Sericultural Imagination and Queer Kinship in Chinese Mythologies: Yuan Ke’s Silk Garden and Mulan’s Camel,, ' Brill Companion to the Literary History of the Early Anthropocene, Brill, pp.N/A.(*為通訊作者)
• 許立欣*, 2025.12, 'Olfactory Interruptions: Malodor, Atmospheric Invasion, and EcoGothic in A. S. Byatt’s “The Thing in the Forest” and Hayao Miyazaki’s Spirited Away, ' The Gothic in Times of Crisis, Manchester University Press, pp.259-279.(*為通訊作者)
• 許立欣*, 2025.01, '危機與批判：細讀、機器學習與大學知識生產之反思/Crisis as Critique: Close Reading, Machine Learning, Multilingualism, and University Knowledge Production, ' AI新時代的語言政策/Language Policies in the New Age of AI, 國立臺灣大學人文社會高等研究院, pp.111-121.(*為通訊作者)
• 許立欣*, 2024.12, '蠶女故事： 生態鬼魅與絲路物質文化下的人類世寓言/The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene, ' 環境文學：物我去殖藝中／與醫 / Environmental Literature: Decolonizing through Artful Medicaring, 書林出版有限公司Bookman, pp.177-208.(*為通訊作者)
• 許立欣*, 2024.12, '“San Francisco’s Chinatown in Bret Harte’s ‘Wan Lee, the Pagan’", ' Asia-Pacific and Literature in English, Palgrave, pp.269-292.(*為通訊作者)
• 許立欣*, 2024.04, '“My head like a mushroom below”: Chen Kehua’s Vegetal Gothic and the Anthropocene, ' Critical Plant Studies in Taiwan, Lexington Books, pp.143-161.(*為通訊作者)
• 許立欣*, 2023.11, '“I’ve always thought that we are living on the cowhide”: Chen Li’s Edge as Method and Border-Queering in The Edge of the Island, ' Rethinking Identities Across Boundaries - Genders/Genres/Genera, Palgrave, pp.87-106.(*為通訊作者)
• 許立欣*, 2022.03, 'Ecogothic Chinatown, ' Romantic Environmental Sensibility: Nature, Class and Empire, Edinburgh University Press, pp.60-77.(*為通訊作者)
• 許立欣*, 2021.05, '“The ‘Phantasmatic’ Chinatown in Helen Hunt Jackson’s ‘The Chinese Empire’ and Mark Twain’s Roughing It”, ' Ephemeral Spectacles Exhibition Spaces and Museums, Amsterdam University Press, pp.191-217.(*為通訊作者)
• 許立欣*, 2011.09, 'Asia, Animals and Apocalypse: The Narcotic Tour of Emily Dickinson and Thomas De Quincey., ' Voices: Postgraduate Perspectives on Inter-disciplinarity, Cambridge Scholars Publishing, pp.59-75.(*為通訊作者)

Others

• 許立欣*;Christine Gerhardt*, 2026.08, 'Emily Dickinson and Ecologies Double Special Issue, '.(*為通訊作者)
• 許立欣*, 2025.12, '荻瑾蓀國際會議在島上：「艾蜜莉・荻瑾蓀與生態」之跨文化生態人文實踐, '.(*為通訊作者)
• 許立欣*, 2025.10, 'Emily Dickinson’s Multiverse & Ecological Imagination (Invited Talk)/艾蜜莉・狄瑾蓀詩中之多重宇宙與生態異想, '.(*為通訊作者)
• 許立欣*, 2025.01, 'Book Review of Timothy Morton's Hell: In Search of a Christian Ecology (Columbia University Press), '.(*為通訊作者)
• 許立欣*, 2024.08, '「張開我的細微雙手／聚集天堂樂園」:蘇格蘭與安赫斯特的山水詩夢——兼回應田宇宏文, '.(*為通訊作者)
• 許立欣*, 2023.12, 'Foreword (Foreign Language Studies), '.(*為通訊作者)
• 許立欣*;Katarzyna Ancuta*, 2023.06, 'Introduction: Why Do We Need Asian Gothic? [Foreword for the Wenshan Review Special Issue on "Asian Gothic"], '.(*為通訊作者)
• 許立欣*, 2022.12, '「本月好書：新書介紹 -- 邁向地球歷史詩學」(書評), '.(*為通訊作者)
• 許立欣*, 2022.09, '探索亞洲的生態誌異想像--SARE 第59期專輯介紹, '.(*為通訊作者)
• 許立欣*, 2022.07, 'Introduction: Syaman Rapongan’s Littoral Gothic and EcoGothic Asia, '.(*為通訊作者)
• 許立欣*, 2022.06, '"Voices outside the US" editorial note in the Dickinson Bulletin, '.(*為通訊作者)
• 許立欣*, 2022.05, '「物質」與「植物」詭譎的生態志異對話, '.(*為通訊作者)
• 許立欣*, 2022.04, 'Asian Textiles, Daosim, and Emily Dickinson’s “Small Utopia” (Tecidos asiáticos, taoismo e a “pequena utopia” de Emily Dickinson), '.(葡萄牙(文))(*為通訊作者)
• 許立欣*, 2021.01, 'Report on the “Dickinson and Race” panel: The Emily Dickinson International Society Bulletin,, '.(*為通訊作者)
• 許立欣*;Adeline Chevrier-Bosseau*;Eliza Richards*, 2020.11, 'Introduction to the Emily Dickinson Journal Special Issue on "International Dickinson: Scholarship in English Translation", '.(*為通訊作者)
• 許立欣*, 2020.11, '"Voices outside the US", '.(*為通訊作者)
• Murray Pittock;許立欣*, 2019.12, 'Foreword for A Special Issue on “Sir Walter Scott: His World and Legacies.”, '.(*為通訊作者)
• 許立欣*, 2019.11, 'Report on the “Dickinson and the Sea (See)” panel: The Emily Dickinson International Society Bulletin, '.(*為通訊作者)
• 許立欣*, 2019.06, 'An Interview with Bill Ashcroft, '.(*為通訊作者)
• 許立欣*;Andrew Taylor, 2018.06, 'Foreword for A Special Issue on “Transatlantic Literary and Cultural Relations: 1776 to the Present.”, '.(*為通訊作者)
• 許立欣*;Stephanie Farrar, 2017.12, '栖居于可能性:艾米莉.狄金森诗歌读本, '.(*為通訊作者)
• 許立欣*, 2016.10, '"Hubs and Fictions" edited by Sophia Hao and Edgar Schmitz (Translation work), '.(*為通訊作者)
• 許立欣*, 2016.04, 'Book Review: Emily Dickinson’s Rich Conversation: Poetry, Philosophy, Science (2013) by Richard E. Brantley, '.(*為通訊作者)

Current Position

• Title
• Department
• Key Responsibilities
• Duration

• 教授
• 英國語文學系
• 2022-08 ~ 2026-02

• Title
• Department
• Key Responsibilities
• Duration

• 副教授
• 英國語文學系
• 2017-02 ~ 2022-08

• Title
• Department
• Key Responsibilities
• Duration

• 助理教授
• 英國語文學系
• 2013-08 ~ 2017-02

Administrative Position

• Title
• Department
• Key Responsibilities
• Duration

• 系主任
• 英國語文學系
• 2025-08 ~ 2026-01

• Title
• Department
• Key Responsibilities
• Duration

• 執行長
• 英國語文學系英語教學碩士在職專班
• 2025-08 ~ 2026-01

• Title
• Department
• Key Responsibilities
• Duration

• 系主任
• 英國語文學系
• 2024-08 ~ 2025-07

• Title
• Department
• Key Responsibilities
• Duration

• 執行長
• 英國語文學系英語教學碩士在職專班
• 2024-08 ~ 2025-07

• Title
• Department
• Key Responsibilities
• Duration

• 系主任
• 英國語文學系
• 2024-02 ~ 2024-07

Professional Experience

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2025-07 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2025-02 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• English and American Association (EALA)
• Board Member
• EALA
• 2025-/1 ~ 2027-/1

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2024-02 ~ 2026-01

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2024-02 ~ 2026-01

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2024-01 ~ 2025-12

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2024-01 ~ 2025-12

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2024-01 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2023-08 ~ 2025-07

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• Romantic Studies Association of Australasia (RSAA)
• Board Member
• RSAA
• 2023-/1 ~ 2040-/1

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• Foreign Language Studies
• Editor-in-Chief
• 2023-/0 ~ 2025-/0

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• The Association for the Study of Literature and Environment (ASLE)
• Board Member
• ASLE-Taiwan
• 2023-/0 ~ 2040-/1

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• Committee Member
• 2022-/0 ~ 2040-/0

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2021-08 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2018-12 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2018-12 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2018-04 ~ 2021-07

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2018-01 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• The Wenshan Review
• Editor-in-Chief
• 2017-/0 ~ 2021-/0

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2014-03 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2014-03 ~

• Institution/Organization/Association
• Title
• Department/Division
• Key Responsibilities
• Duration

• 2014-01 ~