許立欣*, 2025.06, '“Nature is a Haunted House -”: Emily Dickinson’s Environmental Gothicism, ' ESQ: A Journal of Nineteenth-Century American Literature and Culture, Vol.71, No.N/A, pp.N/A.(AHCI, MLA, SCOPUS)(*為通訊作者)(本論著未刊登但已被接受)
許立欣*, 2025.01, 'The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene, ' New Polygraphs (Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada), Vol.N/A, No.10, pp.N/A.(*為通訊作者)
許立欣*, 2024.03, '“Because the bees buzz underground, /we have earthquakes”: Chen Li’s The Edge of the Island at the Brink of the Anthropocene Ruin, ' Concentric: Literary and Cultural Studies, Vol.50, No.1, pp.N/A.(AHCI, MLA, THCI Core, SCOPUS)(*為通訊作者)
許立欣*, 2023.09, 'Settler Colonialism and Harte’s Frontier EcoGothic in “Three Vagabonds of Trinidad”, ' Studies in American Fiction, Vol.50, No.1-2, pp.97-120.(AHCI, MLA, SCOPUS)(*為通訊作者)
許立欣*, 2023.09, '蠶女故事中的生態鬼魅與絲路文化之人類世寓言(The Silkworm Girl, Sericultural EcoGothic, and the Anthropocene), ' 中外文學(Chung Wai Literary Quarterly), Vol.52, No.3, pp.47-80.(MLA, THCI Core)(*為通訊作者)
許立欣*, 2022.06, 'Mechanical Precision and the Cosmic Sublime in Thomas De Quincey’s Writing, ' Ex-position, Vol.47, pp.7-33.(MLA, THCI Core, ProQuest)(*為通訊作者)
許立欣*, 2022.03, 'My “Byron’s foot”: Chou Meng-tieh’s Buddhist-Romantic Quest in Country of Solitude, ' Concentric: Literary and Cultural Studies, Vol.48, No.1, pp.115-142.(AHCI, MLA, THCI Core, SCOPUS)(*為通訊作者)
許立欣*, 2021.11, '“’To make a prairie it takes a clover and one bee,’: Dickinson’s Manufacturing of the Wild West”, ' The Emily Dickinson Journal, Vol.30, No.2, pp.97-115.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
許立欣*, 2020.10, 'Keats, Higginson, and Snakes: Yang Mu’s Transcultural "Courtship" of Emily Dickinson, ' Fudan Journal of the Humanities and Social Sciences, Vol.13, No.4, pp.591 - 614.(SCOPUS, Springer / CNKI / EBSCOhost)(*為通訊作者)
許立欣*, 2019.04, 'The Romance of Transportation in Wordsworth, Emerson, De Quincey, and Dickinson, ' Romanticism, Vol.25, No.1, pp.45-57.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
許立欣*, 2016.11, '"The light that never was on sea or land": William Wordsworth in America and Emily Dickinson's "Frostier" Style", ' The Emily Dickinson Journal, Vol.25, No.2, pp.24-47.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
許立欣*, 2015.12, '“As Trade Had Suddenly Encroached”: Emily Dickinson, William Wordsworth and China, ' Cowrie:A Journal of Comparative Literature and Culture, Vol.1, No.1, pp.22-41.(CNKI)(*為通訊作者)
許立欣*, 2014.04, 'Thomas De Quincey''s ''Serpentine'' Writing and Emily Dickinson''s Reptiles, ' Symbiosis: A Journal of Anglo-American Literary Relations, Vol.17, No.2, pp.Unknown.(MLA)(*為通訊作者)
許立欣*, 2013.11, 'Emily Dickinson''s Asian Consumption, ' The Emily Dickinson Journal, Vol.22, No.2, pp.Unknown.(AHCI, MLA, SCOPUS, EBSCOhost)(*為通訊作者)
許立欣*, 2013.10, '"''In many and reportless places'': Place Identity and Emily Dickinson''s America", ' Harts & Minds, Vol.1, No.2, pp.N/A.(*為通訊作者)
許立欣*, 2025.12, 'Olfactory Interruptions: Malodor, Atmospheric Invasion, and EcoGothic in A. S. Byatt’s “The Thing in the Forest” (2003) and Hayao Miyazaki’s Spirited Away (2001), ' The Gothic in Troubled Times, Manchester University Press, pp.N/A.(*為通訊作者)
許立欣*, 2024.12, '“San Francisco’s Chinatown in Bret Harte’s ‘Wan Lee, the Pagan’", ' N/A, Palgrave, pp.N/A.(*為通訊作者)
許立欣*, 2024.04, '“My head like a mushroom below”: Chen Kehua’s Vegetal Gothic and the Anthropocene, ' Critical Plant Studies in Taiwan, Lexington Books, pp.143-161.(*為通訊作者)
許立欣*, 2023.11, '“I’ve always thought that we are living on the cowhide”: Chen Li’s Edge as Method and Border-Queering in The Edge of the Island, ' Rethinking Identities Across Boundaries - Genders/Genres/Genera, Palgrave, pp.87-106.(*為通訊作者)
許立欣*, 2023.07, '“My head like a mushroom below”: Chen Kehua’s Vegetal Speculation, and the Anthropocene Gothic, ' Critical Plant Studies, Lexington Books, pp.N/A.(*為通訊作者)
許立欣*, 2022.03, 'Ecogothic Chinatown, ' Romantic Environmental Sensibility: Nature, Class and Empire, Edinburgh University Press, pp.60-77.(*為通訊作者)
許立欣*, 2021.05, '“The ‘Phantasmatic’ Chinatown in Helen Hunt Jackson’s ‘The Chinese Empire’ and Mark Twain’s Roughing It”, ' Ephemeral Spectacles Exhibition Spaces and Museums, Amsterdam University Press, pp.191-217.(*為通訊作者)
許立欣*, 2011.09, 'Asia, Animals and Apocalypse: The Narcotic Tour of Emily Dickinson and Thomas De Quincey., ' Voices: Postgraduate Perspectives on Inter-disciplinarity, Cambridge Scholars Publishing, pp.59-75.(*為通訊作者)
許立欣*, 2023.12, 'Foreword (Foreign Language Studies), '.(*為通訊作者)
許立欣*;Katarzyna Ancuta*, 2023.06, 'Introduction: Why Do We Need Asian Gothic? [Foreword for the Wenshan Review Special Issue on "Asian Gothic"], '.(*為通訊作者)
許立欣*, 2022.06, '"Voices outside the US" editorial note in the Dickinson Bulletin, '.(*為通訊作者)
許立欣*, 2022.05, '「物質」與「植物」詭譎的生態志異對話, '.(*為通訊作者)
許立欣*, 2022.04, 'Asian Textiles, Daosim, and Emily Dickinson’s “Small Utopia” (Tecidos asiáticos, taoismo e a “pequena utopia” de Emily Dickinson), '.(葡萄牙(文))(*為通訊作者)
許立欣*, 2021.01, 'Report on the “Dickinson and Race” panel: The Emily Dickinson International Society Bulletin,, '.(*為通訊作者)
許立欣*, 2020.11, '"Voices outside the US", '.(*為通訊作者)
許立欣*;Adeline Chevrier-Bosseau*;Eliza Richards*, 2020.11, 'Introduction to the Emily Dickinson Journal Special Issue on "International Dickinson: Scholarship in English Translation", '.(*為通訊作者)
Murray Pittock;許立欣*, 2019.12, 'Foreword for A Special Issue on “Sir Walter Scott: His World and Legacies.”, '.(*為通訊作者)
許立欣*, 2019.11, 'Report on the “Dickinson and the Sea (See)” panel: The Emily Dickinson International Society Bulletin, '.(*為通訊作者)
許立欣*, 2019.06, 'An Interview with Bill Ashcroft, '.(*為通訊作者)
許立欣*;Andrew Taylor, 2018.06, 'Foreword for A Special Issue on “Transatlantic Literary and Cultural Relations: 1776 to the Present.”, '.(*為通訊作者)