教師
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教師
楊麗敏
教授
| 職稱 | 教授 |
|---|---|
| 校內分機 | 88109 |
| 電子郵件 | lmyang@nccu.edu.tw |
| 辦公地點 | 研究250724 |
| 類別 | 專任 |
| 研究專長 | 現代詩(T. S. Eliot, W. B. Yeats)、文本與文類研究、現代/後現代理論、城市文學 |
- 楊麗敏*, 2018.09, '“A Passage from Adam’s Dream to the Cessation of Desire: A Buddhist Reading of John Keats’s ‘Ode to a Nightingale’”, ' JNT: Journal of Narrative Theory, Vol.48, No.2, pp.137-163.(AHCI)(*為通訊作者)
- 楊麗敏*, 2013.06, '〈渥坦貝克《解剖新義》中的激情游牧者〉, ' 《世界文學》, Vol.0, No.6, pp.237-258.(*為通訊作者)
- 楊麗敏*, 2012.10, '“T.S. Eliot''s Virtual Europe: The Flaneur and the Textual Flanerie”, ' Yeats Eliot Review, Vol.29, No.3-4, pp.3-24.(MLA)(*為通訊作者)
- 楊麗敏*, 2012.06, '“Towards a Minor Theatre: The Task of the Playmaker in Our Country’s Good,” 《文山評論：文學與文化》, ' 《文山評論》Wenshan Review of Literature and Culture, Vol.15, No.2, pp.25-48.(THCI Core)(*為通訊作者)
- 楊麗敏*, 2011.04, '“Revisiting the Flaneur in T.S. Eliot’s ‘Eeldrop and Appleplex—I’”, ' Orbis Litterarum, Vol.66.2, No.66.2, pp.89-120.(AHCI)(*為通訊作者)
- 楊麗敏*, 2010.12, '〈《解剖新義》之逃逸路線：性別/文本權術策略〉, ' 《英美文學評論》, Vol.17, No.0, pp.157-189.(THCI Core)(*為通訊作者)
- 楊麗敏*, 2009.09, 'Rhapsody on a City of Dreadful Night: The Flaneur and Urban Spectacle, ' Yeats Eliot Review, Vol.26, No.3, pp.2-14.(MLA)(*為通訊作者) 參考連結
- 楊麗敏, 2005.07, '都市漫遊者艾略特︰倫敦現代生活的畫師/中外文學, ' 中外文學, Vol.34, No.2, pp.31-57.(THCI Core)
- 楊麗敏, 1999, 'What the Thunder Said: An Unfinalizing Dialogue of The Waster Land, ' New Comparison, No.27-28, pp.187-200.
- 楊麗敏, 1999, '〈艾略特的《三智士朝聖行》中的末世論觀︰語言、文本、與後現代主義寫作模式〉, ' 中外文學, Vol.28, No.6, pp.135-162.(THCI Core) 參考連結
- 楊麗敏, 1998, '〈艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話〉, ' 中外文學, Vol.27, No.4, pp.50-75.(THCI Core)
- 楊麗敏, 1997, 'The Socrates Figuret & Socratic Laughter in The Cocktail Party: A Bakhtinian Reading, ' Yeats Eliot Review, Vol.14, No.3, pp.18-25.(MLA)
- 楊麗敏*, 2019.09, '“Eliot’s ‘Monkey Trial’ and Anthropomorphism in The Cocktail Party”, ' Beastly Modernisms, University of Glasgow.(*為通訊作者)
- 楊麗敏*, 2019.08, '“Rereading the Poetics and Politics of Naming and Cultural De/construction in T. S. Eliot’s ‘Mélange Adultère de Tout’”, ' Personal Names and Cultural Reconstructions, University of Helsinki.(*為通訊作者)
- 楊麗敏*, 2019.08, '“Cultural Encounter/Translation, Name and Un/naming in T. S. Eliot’s ‘Burbank with a Baedeker: Bleistein with a Cigar’”, ' Personal Names and Cultural Reconstructions, University of Helsinki.(*為通訊作者)
- 楊麗敏*, 2019.04, '“The Politics and Poetics of Un/naming in T.S. Eliot’s ‘The Love Song of St. Sebastian’", ' the Amsterdam School for Cultural Analysis International Workshop, Realities and Fantasies,, the University of Amsterdam.(*為通訊作者)
- 楊麗敏*, 2018.06, '“The Return of the Flâneuse in T.S. Eliot’s “Eeldrop and Appleplex—II'.”, ' Literary London Society Annual Conference 2018, University of London.(*為通訊作者)
- 楊麗敏*, 2017.07, '“Reading the Politics and Poetics of Culture and Desire in T. S. Eliot’s ‘Lune de Miel’.”, ' the 2017 Annual Meeting of American Comparative Literature Association, American Comparative Literature Association.(*為通訊作者)
- 楊麗敏*, 2016.06, '“T. S. Eliot and Buddhism.”, ' The T. S. Eliot Society, 37th Annual Meeting,, The T. S. Eliot Society.(*為通訊作者)
- 楊麗敏*, 2015.09, '“The Stranger Revisited in T. S. Eliot’s The Cocktail Party.”, ' The T. S. Eliot Society, 36th Annual Meeting, The T. S. Eliot Society.(*為通訊作者)
- 楊麗敏*, 2015.05, '“T. S. Eliot with a Baedeker: A Poetics of Cultural Encounter and Translation.”, ' 26 th Annual Conference of the American Literature Association, the American Literature Association.(*為通訊作者)
- 楊麗敏*, 2014.05, '“T. S. Eliot and the Poetics of Ekphrasis: A Mis/Representation of the Other.”, ' 25 th Annual Conference on American Literature, American Literature Association.(*為通訊作者)
- 楊麗敏*, 2013.07, '“The White Women Abroad: Complicity or Resistance”, ' Unsettling Whiteness, Harris Manchester College & Interdisciplinary Press, pp.33-44.(*為通訊作者)
- 楊麗敏*, 2012.07, '“Lines of Flight: Sexual/Textual Politics in Timberlake Wertenbaker’s New Anatomies,”, ' Images of Whiteness, Mansfield College, Oxford University and IDPress, pp.27-38.(*為通訊作者)
- 楊麗敏*, 2012.02, '“Reading and Writing the City: The Textual Flanerie and Archiving Cultures in ‘Burbank with a Baedeker: Bleistein with a Cigar’”, ' T. S. Eliot and the Heritage of Rome and Italy in Modernist Literature: An International Symposium,, The International Symposium on T. S. Eliot.(MLA)(*為通訊作者)
- 楊麗敏, 2010.02, '“The Waste Land and the Virtual City”, ' The 38th Annual Louisville Conference on Literature and Culture since 1900, Louisville University,.
- 楊麗敏, 2009.05, 'The Waste Land Revisited: Urban Figuration, the World Demystified, and the Politics of Flânerie, ' the Third International Conference of Critical Theory, John Cabot University.
- 楊麗敏, 2008.11, 'The Flaneur, the City and Virtual Public Life in T.S. Eliot’s Works, ' Conference of Modernism and Visual Culture, Oxford University, U.K. 參考連結
- 楊麗敏, 2008.10, '身份認同之性別/文本權術策略：《解剖新義》中女性漫遊者之寰宇越界, ' 第十六屆英美文學學術研討會──文學與視覺藝術, 國立宜蘭大學. 參考連結
- 楊麗敏, 2008.09, 'He Do the Police in Different Voices: Becket Agonistes in Murder in the Cathedral, ' 29th Annual Meeting of the T.S. Eliot Society, St. Louis, MO, U.S.A. 參考連結
- 楊麗敏, 2008.08, 'Substitutes for Religion in Eliot’s ‘The Love Song of St. Sebastian, ' the Art, Culture, and Religion: A Conference on T.S. Eliot, Grand Valley State University & The Russell Kirk Center, MI, U.S.A. 參考連結
- 楊麗敏, 2008.05, 'The Return of the Flaneur in ‘Eeldrop and Appleplex—I, ' The 19th annual Conference of the American Literature Association, the American Literature Association.(MLA)
- 楊麗敏, 2007.10, 'Sexual/Textual Politics of Identity: the Invisible Flaneuse in T.S. Eliot’s “Eeldrop and Appleplex-II”, ' The 61th Annual RMMLA Convention.
- 楊麗敏, 2007.09, 'The City of Dreadful Night: the Fl?neur and Urban Spectacle, ' The 28th Annual Meeting of the T.S. Eliot Society, the T.S. Eliot Society.(MLA) 參考連結
- 楊麗敏, 2007.07, 'Translation/Adaptation, Dramatic Text/Performance Text: The Matatheatrical Politics in Timberlake Wertenbaker’s Our Country’s Good, ' IFTR Conference.
- 楊麗敏, 2006.11, 'The Return of the Flaneur in T.S. Eliot''s ''Rhapsody on a Windy Night'', ' The Sixth Wenshan Conference on English and American Literature.
- 楊麗敏, 2000.12, '二十世紀英國文學研究在台灣：理論旅行、西化影響、本土轉向, ' 【台灣的英美文學研究：回顧與展望】會議論文集；《台灣地區英美文學研究之評量：二十世紀英國文學研究（英國篇）》：緒論, 中央研究院歐美研究所、中華民國英美文學學會、國科會人文學研究中心. 參考連結
- 楊麗敏, 1999.08, '〈艾略特的《三智士朝聖行》中的末世論觀︰語言、文本、與後現代主義寫作模式〉, ' 第二十三屆全國比較文學會議【世紀末或千禧年︰比較文學的轉折】. 參考連結
- 楊麗敏, 1999.07, 'The Carnivalistic Parody in T.S. Eliot''s ''The Love Song of St. Sebastian'': A Meta-dialogics of Painting and Poetry, ' The Proceedings of DECONSTRUCTION READING POLITICS, Staffordshire University.
- 楊麗敏, 1998.07, 'What the Thunder Said: An Unfinalizing Dialogue of The Waste Land, ' "LEGENDA": Reading and Writing Myth, the Eighth International Conference, British Comparative Literature Association. 參考連結
- 楊麗敏, 1998.05, '艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話, ' 《中外文學》，27.4：50-75；《框架內外：藝術、文類與符號疆界》，pp. 161-91, 輔仁大學、中華民國比較文學學會. 參考連結
- 楊麗敏, 1997.12, '《哭泣的女孩》：多重聲音結構, ' 中華民國第六屆英美文學研討會論文集, 國立師範大學、中華民國英美文學學會, pp.185-205. 參考連結
- 楊麗敏, 1997.10, 'The Socratic Dialogue on Martyrdom & Love in T.S Eliot''s Religious Verse: the Eliotic Woman & New Poetic Drama, ' 《第三屆文學與宗教國際會議論文集：戲劇、歌劇與舞蹈中的女性特質與宗教意義》, 輔仁大學.
- 楊麗敏*, 2011.09, 'The Development of T.S. Eliot’s Style from Poetry to Poetic Drama: Dialogism, Carnivalization, and Music, ' The Edwin Mellen Press.(*為通訊作者)
- 楊麗敏, 2010.12, '廿世紀英國文學研究（英國篇）: 1950-2000, ' 台灣地區英美文學研究之評量：廿世紀英國文學研究（英國篇）, 鼎淵出版公司.
- 楊麗敏, 2004, '台灣地區英美文學研究之評量：二十世紀英國文學研究（英國篇）, ' 台灣地區英美文學研究之評量, 國科會人文學研究中心. 參考連結
- 楊麗敏*, 1999.12, '艾略特的《聖賽巴斯丁之戀歌》中的狂歡戲擬︰詩與繪畫之後設對話, ' 《框架內外︰藝術、文類與符號疆界》﹐pp. 161-91, 輔仁大學比較文學研究所策劃﹐立緒文化公司.(*為通訊作者) 參考連結
- 楊麗敏, 1998, '艾略特宗教詩中有關封聖與愛之蘇格拉底對話：論艾略特的新詩劇觀與女性人物觀, ' 第三屆文學與宗教國際會議論文集：戲劇、歌劇與舞蹈中的女性特質與宗教意義, 輔仁大學外語學院主編﹐文建會委託. 參考連結
- 楊麗敏, 1994, 'Diaglogism & Carnivalization in the Work of T.S. Eliot, ' The University of Birmingham, pp.436.
- 楊麗敏*, 2017.09, '“The Poetics and Politics of Un/translatability in Timberlake Wertenbaker’s New Anatomies.”, ' Ethical Echanges in Translation, Adaptation and Dramaturgy, Brill Publishers, pp.153-170.(*為通訊作者)
- 楊麗敏*, 2014.12, '“Diasporas on the Move: Lines of Flight in Timberlake Wertenbaker’s Our Country’s Good., ' Writing Difference: Nationalism, Identity and Literature, Atlantic Books, pp.279-312.(*為通訊作者)
- 楊麗敏*, 2014.07, '“The White Women Abroad: Complicity or Resistance.”, ' Unsettling Whiteness, Inter-Disciplinary Press, pp.33-44.(*為通訊作者)
- 楊麗敏*, 2013.10, '“Lines of Flight: Sexual/Textual Politics in Timberlake Wertenbaker’s New Anatomies.”, ' Interdisciplinary Press, pp.27-38.(*為通訊作者)
- 楊麗敏*, 2013.01, '“T.S. Eliot”, ' Nobel Laureates As Playwrights: An Anthology of Critical Essays, Arati Mitra for Avenel Press.(*為通訊作者)
- 楊麗敏*, 2011.08, 'The Waste Land and the Virtual City, ' The Waste Land at 90: A Retrospective (Dialogue 12), Rodopi Press.(*為通訊作者) 參考連結
- 楊麗敏, 2007.07, 'Translation/Adaptation, Dramatic Text/Performance Text: The Matatheatrical Politics in Timberlake Wertenbaker’s Our Country’s Good, ' IFTR Conference., 2000, '〈愛爾蘭之文壇祭酒：框架內外的葉慈〉, ' 《葉慈》, 貓頭鷹出版社.
- 楊麗敏*, 2018.08, '【艾略特作品中異鄉人之衍譯II-III】, ' 科技部.(*為通訊作者)
- 楊麗敏*, 2017.10, '【艾略特作品中異鄉人之衍譯】, ' 科技部.(*為通訊作者)
- 楊麗敏*, 2016.10, '【艾略特在歐洲：文化位移，遭逢，與迻譯 (3/3)】, ' 科技部.(*為通訊作者)
- 楊麗敏*, 2015.05, '【艾略特在歐洲：文化位移，遭逢，與迻譯】(2/3), ' 科技部.(*為通訊作者)
- 楊麗敏*, 2014.05, '【艾略特在歐洲：文化位移，遭逢，與迻譯】(1/3), ' 科技部.(*為通訊作者)
- 楊麗敏*, 2013.09, '渥坦貝克劇作中之逃逸路線：性別/文本權術策略（II─II）, ' 國科會.(*為通訊作者) 參考連結
- 楊麗敏*, 2011, '渥坦貝克劇作中之逃逸路;線：性別/文本權術策略（III ─I）, ' 國科會.(*為通訊作者)
- 楊麗敏*, 2008.12, '【補助人文及社會科學研究圖書計畫規劃主題：城市與文學 (2/2)】NSC 97-2420-H-004-001-2E, ' 國科會.(*為通訊作者)
- 楊麗敏*, 2007.12, '【補助人文及社會科學研究圖書計畫規劃主題：城市與文學 (1/2)】計畫編號：NSC 96-2420-H-004-018-2E;, ' 國科會.(*為通訊作者)
- 楊麗敏, 2004, '台灣地區英美文學研究之評量：二十世紀英國文學研究（英國篇）, ' 國科會人文學中心. 參考連結
- 楊麗敏, 2002, '框架內外：艾略特與葉慈詩劇中的作戲與擬態詩學, ' 國科會. 參考連結
- 楊麗敏, 2000, '二０００年暑期赴法國University of Avignon國際人文理論學院進修計畫, ' 國科會.
- 楊麗敏, 1999, '策略者的足跡：《教堂大謀殺》與《橡皮擦子》中的僭越權術與詩學, ' 國科會. 參考連結
- 楊麗敏, 1998, '史威尼與羅斯科尼科夫：罪與罰之未完成性對話, ' 國科會.
- 楊麗敏, '台灣地區英美文學研究之評量：二十世紀英國文學研究, ' 國科會.
